what | what | where | when | |
2024 | ||||
Middlesbrough Art Week | review | Art Monthly | Nov 2024 | link |
Studio visit: Anna Chapman Parker | interview | Connecting Threads | Oct 2024 | link |
Theodore Ereira-Guyer, The Lion, the Tortoise, the Emperor and his Lover | essay | Elizabeth Xi Bauer | Sep 2024 | link |
VESSEL | book | Art Walk Projects | Sep 2024 | |
Ecosystems: Edinburgh | feature | Art Basel | Aug 2024 | link |
Towards New Worlds, MIMA | review | Ocula | Aug 2024 | link |
Wilhelmina Barns-Graham | feature | Art UK | Jul 2024 | link |
Klima Biennale, Wien | review | Art Monthly | Jun 2024 | link |
On Fossil Free Books | opinion | The Guardian | Jun 2024 | link |
London Gallery Weekend | feature | Frieze | May 2024 | link |
Walking, with Dee Heddon, Carl Lavery, Clare Qualmann and Iman Tajik, | talk | University of Glasgow | Apr 2024 | |
Studio visit: Chloë Smith | interview | Connecting Threads | Apr 2024 | link |
Saskia Noor van Imhoff, GRIMM | review | e-flux Criticism | Mar 2024 | link |
Walking, with Jade de Montserrat and Gabriella Nugent | talk | Whitechapel Gallery | Mar 2024 | link |
⇒ Walking: Documents of Contemporary Art | book | Whitechapel Gallery | Mar 2024 | link |
2023 | ||||
Kyiv Biennial | feature | Frieze | Dec 2023 | link |
⇒ The ballad of Gida and Lutea (with Kirsty Badenoch) | book | Mouldy Books | Nov 2023 | ORDER |
Alexandra Clod & Karolina Uskakovych, (Re)Grounding | essay | Corridor8 | Nov 2023 | link |
Sheila Hicks, Alison Jacques | review | Frieze | Nov 2023 | link |
Kirsty Badenoch, falling / fallen / felled | exhibition | Staffordshire St | Nov 2023 | link |
In conversation with Kirsty Badenoch and Justin Hopper | podcast | Uncanny Landscapes | Nov 2023 | link |
Atelier 11 | feature | World of Interiors | Nov 2023 | |
Francisco Rodriguez, The Weight of the Night | essay | Cooke Latham Gallery | Oct 2023 | link |
Ignota Books present: Gaian Ecologies | talk | Camden Art Centre | Sep 2023 | link |
Art Night, Dundee | review | Art Monthly | Sep 2023 | link |
Rabindranath X Bhose, Collective | review | Frieze | Aug 2023 | link |
A vessel kind of place | essay | Art Walk Projects | Aug 2023 | link |
Kim McAleese, Edinburgh Art Festival | interview | Frieze | Aug 2023 | link |
London Gallery Weekend | feature | Frieze | May 2023 | link |
SofijaSilvia, Pendulum | review | e-flux Criticism | May 2023 | link |
SALT | book | Art Walk Projects | March 2023 | |
Mohammed Sami, Camden Art Centre | review | Frieze | Feb 2023 | link |
Kyriaki Goni, Data Gardens | essay | Leeds Arts University | Jan 2023 | |
2022 | ||||
Taus Makhacheva, This story is no longer available | fiction | Fries Museum | forthcoming | |
John Keys, Griefs and Wonders | essay | Cultivator Cornwall | forthcoming | |
Kirsten Glass, Night-Scented Stock | essay | Karsten Schubert | Dec 2022 | link |
Olivia Plender, Maureen Paley | review | e-flux Criticism | Nov 2022 | link |
Are NFTs the new land art? | feature | ArtReview | Oct 2022 | link |
Bianca Hlywa, Residual Yeast | review | Artforum | Oct 2022 | link |
Iman Tajik, Welcome to Portobello | book | Art Walk Projects | Sep 2022 | link |
⇒ Ksenia Malykh, When Faith Moves Mountains | interview | Frieze | Aug 2022 | link |
On Salter’s Road | essay | Art Walk Projects | Aug 2022 | link |
Thinking Like a Forest | talk | Omved Gardens | Jul 2022 | |
Entre Chien et Loup | event | Edinburgh College of Art | Jun 2022 | |
Biennale Gherdëina | review | Frieze | Jun 2022 | link |
Nonfiction residencies | jury | The Bothy Project | Jun 2022 | |
⇒ Moths: a reckoning | essay | Vestoj | May 2022 | link |
Katie Paterson, Ingleby Gallery | review | ArtReview | May 2022 | link |
Storytelling with Dogs | event | Edinburgh Collge of Art | May 2022 | |
Claire Barclay, Infinite Possibilities | interview | ArtUK | Apr 2022 | link |
Anne-Marie Creamer, Dear Friend... | essay | Sir John Soane's Museum | Mar 2022 | link |
Haig Aivazian, The Showroom | review | Artforum | Mar 2022 | link |
Anthony Kersting, The Courtauld | feature | World of Interiors | Feb 2022 | |
Abstraction: Colour, Shape, Form | feature | Watermark | Jan 2022 | |
Life Support, Glasgow Women's Library | review | Artforum | Jan 2022 | link |
2021 | ||||
In conversation with Tonico Lemos Auad | event | Cample Line | Dec 2021 | |
⇒ Iman Tajik, Bordered Miles | essay | Glasgow International | Dec 2021 | link |
Maria McKinney, Totem Yokes | essay | Wexford County Council | Nov 2021 | |
Tonico Lemos Auad, Unknown to the world | essay | Cample Line | Nov 2021 | link |
Arrange Whatever Pieces Come Your Way, Mount Stuart | review | Crafts Magazine | Nov 2021 | |
Challenging the art world's material waste | feature | Frieze | Oct 2021 | link |
Ray Harryhausen, National Galleries of Scotland | review | Crafts Magazine | Jul 2021 | |
British Art Show 9 | review | ArtReview | Jul 2021 | link |
Karla Black, Fruitmarket | review | Frieze | Jul 2021 | link |
Parks and re-creations: the best books about Russian landscapes | feature | The Guardian | Jun 2021 | link |
⇒ The White Birch: A Russian Reflection | book | Little, Brown | Jun 2021 | link |
Off-Grid Checks: Romney Tweed | feature | World of Interiors | Jun 2021 | |
Emma Talbot, Dundee Contemporary Arts | review | Frieze | Jun 2021 | link |
Tom Jeffreys, Alex Hartley & Anne de Charmant in conversation | talk | Hay Festival | Jun 2021 | |
Trellis: lines of separation or connection | essay | University College London | May 2021 | link |
Stephanie Mann, Things, tunnels, traces, thoughts | essay | Talbot Rice Gallery | May 2021 | link |
⇒ The Botanic Garden | feature | e-flux Criticism | Mar 2021 | link |
⇒ Meadow Arts: the first 20 years | book | Meadow Arts | Feb 2021 | link |
Naomi Frears, Three types of water / Five types of fall | essay | University of Plymouth | Jan 2021 | link |
Sara Bowler, Ground Truths | essay | University of Plymouth | Jan 2021 | link |
2020 | ||||
Perspectives on Walking | talk | The Bartlett, UCL | Oct 2020 | |
Around Jupiter Artland | film | Frieze | Oct 2020 | link |
A future after all? | essay | London College of Communications | Jul 2020 | |
A Place for the Work and the Human Being | essay | The Common Guild | Jun 2020 | link |
These queer little cyphers | interview | The Learned Pig | Jun 2020 | link |
What do they know of art? | feature | The Pinch Hitter | Jun 2020 | link |
Joanna Rajkowska, Suiciders | interview | l’étrangère | May 2020 | link |
⇒ SofijaSilvia, Dust to Dust | review | Photomonitor | Apr 2020 | link |
The Art of Art Criticism | talk | University of Glasgow | Feb 2020 | |
Kajet Journal, Unheard Realities | feature | Monocle | Feb 2020 | |
2019 | ||||
Making a Scene - contemporary art in Edinburgh | feature | Monocle | Dec 2019 | |
Giancarlo Scaglia, Gold & Guano | feature | The Learned Pig | Dec 2019 | link |
A Place for the Work and the Human Being | talk | Civic House | Dec 2019 | |
⇒ Peering Through Layers of Time | feature | Frieze | Nov 2019 | link |
The Coming World, Garage MCA | review | ArtReview | Nov 2019 | link |
Nick Cave, Tramway | review | Crafts Magazine | Nov 2019 | |
⇒ Is the countryside the future of the art world? | feature | Frieze | Nov 2019 | link |
Betula problematica | essay | Becoming the Forest | Oct 2019 | |
William Blake, Tate Britain | feature | World of Interiors | Oct 2019 | |
Ignacio Acosta, Arts Catalyst | review | e-flux Criticism | Sep 2019 | link |
The Most Popular Tree in Russian Art | feature | Frieze Masters | Sep 2019 | link |
Art Encounters, Timișoara | review | e-flux Criticism | Sep 2019 | |
Future Delay, Helsinki Contemporary | review | Frieze | Aug 2019 | link |
The 33rd Ljubljana Biennial of Graphic Arts | review | e-flux Criticism | Jun 2019 | link |
Art, the Anthropocene, and the grim, dark future of Warhammer 40K | essay | Roman Road Journal | Jun 2019 | link |
Interspecies Collaborations, with Fiona MacDonald : Feral Practice | talk | Omved Gardens | May 2019 | |
Ambit, Stills | review | Photomonitor | Apr 2019 | link |
What branches grow out of this stony rubbish? | essay | l’étrangère | Mar 2019 | |
⇒ I to I with Daisy Hildyard | essay | MAP | Mar 2019 | link |
Phytopia | talk | Glynn Vivian | Feb 2019 | |
Pierre Bonnard, Tate Modern | feature | World of Interiors | Feb 2019 | |
Bożenna Biskupska, Epiphany of Time | essay | l’étrangère | Feb 2019 | |
Phytopia: Plants People Places | essay | Glynn Vivian | Feb 2019 | |
The Elegance of the Octopus | feature | MAP | Feb 2019 | |
The Art of Art Criticism | talk | University of Glasgow | Feb 2019 | |
Fan letter: Calvin & Hobbes | feature | Frieze | Jan 2019 | link |
2018 | ||||
Lorna Macintyre, Dundee Contemorary Arts | review | e-flux Criticism | Dec 2018 | link |
16th Pacific Meridian, Vladivostok | review | ArtReview | Dec 2018 | link |
⇒ The Return of the Witch in Contemporary Culture | feature | Frieze | Nov 2018 | link |
⇒ Dineo Seshee Bopape, Collective | review | e-flux Criticism | Nov 2018 | link |
Joanna Rajkowska, Two Men and a Mattress | essay | Arts Territory | Nov 2018 | link |
Taus Makhacheva, Ring Road | interview | Frieze | Oct 2018 | link |
Moscow art round-up | feature | e-flux Criticism | Oct 2018 | |
Sara Morawetz, étalon | interview | Frieze | Oct 2018 | link |
André Ostier, Paris before it is too late | review | World of Interiors | Sep 2018 | |
Edinburgh Art Festival | review | Frieze | Aug 2018 | link |
Hemispheric Phases | review | MAP | Aug 2018 | |
Tacita Dean, Event for a Stage | review | MAP | Aug 2018 | |
Collected books, collecting thoughts | essay | I Never Read art book fair | Jun 2018 | |
Riga International Biennial of Contemporary Art | review | e-flux Criticism | Jun 2018 | link |
What's the role of art in the row over HS2? | feature | Frieze | Jun 2018 | link |
Ingleby Gallery reopens | feature | Frieze | Jun 2018 | link |
Fouad Elkoury | interview | Harpers Bazaar Arabia | Jun 2018 | |
Glasgow International | review | Frieze | May 2018 | link |
JR Carpenter, The Gathering Cloud / An Ocean of Static | review | The Learned Pig | May 2018 | link |
Kestin Hare | interview | Monocle | May 2018 | |
Abigail Reynolds, PEER London | review | e-flux Criticism | Apr 2018 | link |
Maxim Peter Griffin | interview | The Learned Pig | Apr 2018 | link |
Survey shows extent of class divide in creative industries | feature | Frieze | Apr 2018 | link |
Upping the Tempo - Dhaka Art Summit | feature | Monocle | Apr 2018 | |
⇒Conversations on Art & Science I-IV, with Crystal Bennes | feature | Roman Road Journal | Apr 2018 | link |
Haig Aivazian, 1440 Sunsets per 24 Hours | interview | Lapsus Lima | Mar 2018 | |
Paul Scraton, Ghosts on the Shore | interview | The Learned Pig | Mar 2018 | link |
Julien Berthier | essay | Galerie Vallois | Mar 2018 | |
Susiraja: notes from suburbia | essay | ARK - Finnish Architectural Review | Mar 2018 | |
The Art of Art Criticism | talk | University of Glasgow | Feb 2018 | |
⇒ Experiments in the Field: Why are Artists and Scientists Collaborating? | feature | Frieze | Feb 2018 | link |
The Land We Lived In, The Land We Left Behind, Hauser & Wirth Somerset | review | e-flux Criticism | Jan 2018 | link |
2017 | ||||
Looking back: Paris | feature | Frieze | Dec 2017 | link |
Angelica Mesiti, How We Speak | interview | Frieze | Dec 2017 | link |
A Synchronology, Hunterian Art Gallery | review | e-flux Criticism | Nov 2017 | link |
Max Colson, The Green & Pleasant Land | essay | arebyte gallery | Nov 2017 | |
Walking, Swimming, Reading, Writing, with Elizabeth-Jane Burnett & Camilla Nelson | talk | V3, London | Nov 2017 | |
Paris round-up | feature | e-flux Criticism | Oct 2017 | link |
Signal Failure, with Honor Gavin and Chris Prendergast | talk | IKON gallery | Oct 2017 | |
My Aunty's Visit - Helsinki | essay | FARE | Oct 2017 | |
⇒ Postcard from Kyiv | feature | Frieze | Oct 2017 | link |
The Art of Politics | feature | Frieze Masters | Sep 2017 | link |
Turner and the Sun | feature | World of Interiors | Sep 2017 | |
Ari Marcopoulos, galerie frank elbaz | review | Frieze | Sep 2017 | link |
Monnai de Paris | feature | Glint | Sep 2017 | link |
Plymouth's burgeoning art scene | feature | Apollo | Aug 2017 | |
Around Town: Le Havre | feature | Frieze | Aug 2017 | link |
City Lights | feature | Frieze | Aug 2017 | link |
Malala Andrialavidrazana | feature | Frieze Insight | Aug 2017 | link |
Eve Chabanon | feature | Frieze Insight | Aug 2017 | link |
Dewer & Gicquel | feature | Frieze Insight | Aug 2017 | link |
Jasper Johns: a beginner's guide | blog | Royal Academy of Arts | Aug 2017 | |
Laura Edmonds, A Soft Introduction | essay | Ocean Studios | Jul 2017 | |
Galerie Rouge, Saint-Maximin, L'Oise | review | Apollo | Jul 2017 | |
The Ecchoing Green, with SJ Fowler and Chris McCabe | talk | Dissenters’ Chapel | Jul 2017 | link |
New Writing Showcase, with Zinzi Clemmons and André Naffis-Sahely | talk | Shakespeare & Co | Jul 2017 | link |
France's New Culture Minister | feature | Frieze | Jul 2017 | link |
Giacomo Balla, Designing the Future | feature | World of Interiors | Jun 2017 | |
Fayçal Baghriche, Le SHED | review | Frieze | Jun 2017 | link |
Finland: The Arctic Land of Alvar Aalto | talk | Finnish pavilion, Venice Biennale | May 2017 | |
Bruno Serralongue, Air de Paris | review | Frieze | May 2017 | link |
⇒ Signal Failure: London to Birmingham, HS2 on foot | book | Influx Press | May 2017 | link |
Critic's Guide: Paris | feature | Frieze | May 2017 | link |
Copenhagen Contemporary | feature | Apollo | Apr 2017 | |
G-Rough, Rome | review | Mr & Mrs Smith | Apr 2017 | link |
Corbel Stone Press | interview | The Learned Pig | Apr 2017 | link |
La Vie Aquatique, MRAC, Sérignan | review | Apollo | Apr 2017 | |
Tarek Atoui, Galerie Chantal Crousel | review | Frieze | Mar 2017 | link |
Wolf Crossing | feature | The Learned Pig | Mar 2017 | link |
Robert McCracken Peck, The Natural History of Edward Lear | review | World of Interiors | Mar 2017 | link |
⇒ Anne-Marie Filaire, Mucem | review | The Learned Pig | Mar 2017 | link |
Dispatches: Paris | feature | Frieze | Mar 2017 | link |
Erkka Nissinen, Nathaniel Mellors, Aalto Natives | essay | Finnish pavilion, Venice Biennale | Feb 2017 | |
The bookish side of Parisian Art | feature | Apollo | Feb 2017 | |
Revolution: Russian Art 1917-1932 | learning guide | Royal Academy of Arts | Feb 2017 | |
Siobhan McDonald, Centre Culturel Irlandais, Paris | feature | Apollo | Feb 2017 | |
Grow Together | feature | Frieze | Feb 2017 | link |
Pierrette Bloch, Galerie Karsten Greve | review | Frieze | Feb 2017 | link |
Après Babel, traduire, MuCEM, Marseille | review | Apollo | Jan 2017 | |
Art Writing, with Lizzie Lloyd | talk | University of Plymouth | Jan 2017 | |
Julia Vogl, Social Protest | essay | Social Protest book | Jan 2017 | |
2016 | ||||
Art Writing Now | talk | Hestercombe Gardens | Dec 2016 | |
Slush, Lux, FinnAir, Oulu | feature | Monocle | Dec 2016 | |
Rail Baltica | feature | Monocle | Dec 2016 | |
Lucinda Hawksley, Bitten by Witch Fever | review | World of Interiors | Nov 2016 | |
Bright Outlook: Finland | feature | Monocle | Oct 2016 | |
Little Island Press | interview | The Learned Pig | Oct 2016 | link |
New Wave - Punavuori, Helsinki | feature | Monocle | Oct 2016 | |
Cricket in Finland | feature | Cricinfo | Sep 2016 | link |
⇒ Helsinki's artists are world class | feature | Apollo | Oct 2016 | |
Difficult times for St Petersburg's art scene | feature | Apollo | Sep 2016 | |
James Ensor, Intrigue | learning guide | Royal Academy of Arts | Aug 2016 | |
Anaïs Tondeur, Fabuler des mondes | essay | Espace culturel d’Anglemont | Aug 2016 | |
Henry/Bragg, Ecoute bien le campagne | essay | Château de Sacy | Jul 2016 | |
Outside the museum: art on Helsinki's islands | feature | Apollo | Jul 2016 | |
Arts Review | talk | Monocle Radio | Jul 2016 | |
various | feature | Monocle 95 | Jul 2016 | |
⇒ Jussi Kivi, Back from the wilderness | interview | Apollo | July 2016 | |
various | feature | Monocle 94 | Jun 2016 | |
London Art Week | feature | The Telegraph | Jun 2016 | |
Ending the paper trail | feature | The Long + Short | May 2016 | link |
The Serlachius Museums in Mänttä | feature | Apollo | May 2016 | |
various | feature | Monocle 93 | May 2016 | |
Fyodor Dostoevsky | film | The School of Life | Apr 2016 | |
Should public art be in the public domain? | feature | Apollo | Apr 2016 | |
Lesson Time: education in Finland | feature | Monocle - How to Make a Nation | Apr 2016 | link |
Kelloseppakoulu: Finnish School of Watchmaking | feature | Monocle | Apr 2016 | link |
Katie Turnbull, The Arctic is an Eye | essay | Seventh Gallery | Mar 2016 | |
In Moscow, art speaks truth to power…sometimes | feature | Apollo | Mar 2016 | |
On verdigris | feature | Apollo | Feb 2016 | |
⇒ Maria Pääkkönen, Galleria Huuto | review | The Learned Pig | Feb 2016 | link |
Arts Review | talk | Monocle Radio | Mar 2016 | |
Mining for Argentina's financial future | feature | The Long + Short | Jan 2016 | link |
Freezing weather and frozen art funding | feature | Apollo | Jan 2016 | |
2015 | ||||
Art in Trondheim | feature | Apollo | Dec 2015 | |
Matthew Champion, Medieval Graffiti | review | World of Interiors | Dec 2015 | |
Finn Lafcadio O’Hanlon, Memoria | essay | public art, Berlin | Dec 2015 | |
Anaïs Tondeur, Les Dryades | essay | Université Pierre et Marie Curie | Nov 2015 | |
Ian Bourgeot | feature | Apollo | Nov 2015 | |
Can art exist on social media? | feature | Apollo | Nov 2015 | |
Creative postgraduate degrees | feature | The Telegraph | Oct 2015 | |
Reliquiae | review | The Learned Pig | Oct 2015 | link |
Symbolic Values | feature | The Long + Short | Oct 2015 | link |
Pushing the Boundaries | feature | The Telegraph | Oct 2015 | |
Jean-Etienne Liotard: a beginner’s guide | blog | Royal Academy of Arts | Oct 2015 | link |
Simone Rosenbauer, Museum Experts | essay | Museum Experts website | Oct 2015 | |
Mark Peter Wright, IMT Gallery | review | The Learned Pig | Oct 2015 | link |
Rethinking the role of art in the city | feature | Apollo | Oct 2015 | |
Mark Storor, The Barometer of my Heart | interview | The Learned Pig | Sep 2015 | link |
James Ensor: a beginner’s guide | blog | Royal Academy of Arts | Sep 2015 | link |
Six of the best: artist-gardeners | blog | Royal Academy of Arts | Sep 2015 | link |
Goya: The Portraits, National Gallery | feature | World of Interiors | Sep 2015 | |
Art and Politics in Finland | feature | Apollo | Sep 2015 | |
Communications and Collaboration: debating the future of museums in Istanbul | feature | Apollo | Sep 2015 | |
Rebecca Clark, Finite and Alive | interview | The Learned Pig | Aug 2015 | link |
Joseph Cornell: a beginner’s guide | blog | Royal Academy of Arts | Jul 2015 | link |
⇒ Finland: art, nature and national identity | feature | Apollo | Jul 2015 | |
An Introduction to Archiving (invitation only) | talk | National Archives of Finland | Jun 2015 | |
Welcome to Tapiola garden city | feature | Monocle | Jun 2015 | |
Guggenheim Helsinki should not see the light of day | feature | Apollo | Jun 2015 | |
What next for our national treasures? | feature | Telegraph | Jun 2015 | link |
Making art work in Finland | feature | Apollo | Jun 2015 | |
Low speed on HS2 | feature | Country Walking | Spring 2015 | |
Ett Hem, Stockholm | review | Mr & Mrs Smith | Mar 2015 | link |
Clean Unclean | feature | The Learned Pig | Mar 2015 | link |
Museums and the Internet (invitation only) | talk | Ateneum Art Museum | Feb 2015 | |
The Baltic nations at the Venice Biennale | feature | Apollo | May 2015 | |
What is the relationship between art and the city? | feature | Apollo | Apr 2015 | |
Hanging in the corridors of power | feature | Royal Academy of Arts | Apr 2015 | link |
Helsinki is emerging from its winter slumber | feature | Apollo | Mar 2015 | |
Letter from Helsinki: Finland’s changing art scene | feature | Apollo | Mar 2015 | |
IC-98 | interview | The Learned Pig | Feb 2015 | link |
Richard Diebenkorn: a beginner’s guide | blog | Royal Academy of Arts | Feb 2015 | link |
2014 | ||||
Peter Paul Rubens: a beginner’s guide | blog | Royal Academy of Arts | Dec 2014 | link |
⇒ From London to Birmingham: walking the line of HS2 | feature | The Independent | Dec 2014 | link |
Rubens and His Legacy | blog | Royal Academy of Arts | Oct 2014 | link |
Richard Diebenkorn: the story so far | blog | Royal Academy of Arts | Oct 2014 | link |
Hayley Potter | interview | The Learned Pig | Oct 2014 | link |
Joseph Cornell: the story so far | blog | Royal Academy of Arts | Oct 2014 | link |
Mark Peter Wright, Tasked to Hear | review | The Learned Pig | Oct 2014 | link |
Jean-Etienne Liotard: the story so far | blog | Royal Academy of Arts | Oct 2014 | link |
Terike Haapoja & Laura Gustafsson | interview | The Learned Pig | Oct 2014 | link |
What was once the threshing barn | feature | The Learned Pig | Sep 2014 | link |
Anselm Kiefer: a beginner’s guide | blog | Royal Academy of Arts | Sep 2014 | link |
Home, Sweet Home | feature | The Nightwatchman | Summer 2014 | link |
Cricket in Colombia | feature | Cricinfo | Jul 2014 | link |
The beast is not only the tiger | feature | The Learned Pig | Jun 2014 | link |
New wine, old pots | feature | The Learned Pig | May 2014 | link |
Geometry at the limit, MACBA | review | Royal Academy of Arts | May 2014 | link |
Helen Stuhr-Rommereim, Lynne Fugard | interview | The Learned Pig | May 2014 | link |
Teresa Aninat, Patrick Steeger, Sebastián Preece & Olaf Holzapfel, Museo de Arte Contemporáneo (MAC), Santiago | review | The Learned Pig | May 2014 | link |
Ancient and modern Printmaking in the RA Schools | feature | Royal Academy of Arts | Apr 2014 | link |
10 minutes with Mike Nelson | interview | Royal Academy of Arts | Apr 2014 | link |
10 minutes with Conrad Shawcross | interview | Royal Academy of Arts | Mar 2014 | link |
How do Academicians get elected? | blog | Royal Academy of Arts | Mar 2014 | link |
Certificate of authenticity | blog | Royal Academy of Arts | Mar 2014 | link |
Discoveries, Two Temple Place | review | Apollo | Feb 2014 | link |
Sophy Rickett, Objects in the Field | feature | The Learned Pig | Feb 2014 | link |
Anaïs Tondeur, I55 | review | The Learned Pig | Jan 2014 | link |
Elizabeth Ogilvie, Ambika P3 | review | New Scientist | Jan 2014 | link |
⇒ Not-Quite Suburbia: Home County Blues | essay | Pages Of | Jan 2014 | link |
Darren Almond, White Cube Bermondsey | review | The Learned Pig | Jan 2014 | link |
London Art Fair | review | The Learned Pig | Jan 2014 | link |
2013 | ||||
Bloomberg New Contemporaries | review | Apollo | Dec 2013 | |
Russell Potter, PYG | interview | The Learned Pig | Nov 2013 | link |
Consciousness: Beyond the Individual? (chair) with Jane Aspell, Deborah Hyde, Stephen Law, Graham Nicholls, Anthony Peake & Raymond Tallis | event | Swedenborg Hall | Nov 2013 | |
Shorelines Festival | review | The Learned Pig | Nov 2013 | link |
Foreign Bodies, Common Ground, Wellcome Collection | review | Apollo | Nov 2013 | |
Turner and the Sea, National Maritime Museum | review | The Learned Pig | Nov 2013 | link |
Grass Routes | event | Art Licks Weekender | Nov 2013 | link |
Grounds for Concern | feature | The Nightwatchman | Winter 2013 | link |
Process in Exile | jury | Made in Arts London (UAL) | Oct 2013 | |
Dayanita Singh, Hayward Gallery | review | Apollo | Oct 2013 | |
“Using creativity”: art-science collaboration | talk | Not a Drop festival | Sep 2013 | |
In defence of the curator | feature | Apollo | Sep 2013 | |
Taxonomise This! (chair) with Mark Carnall, Liz Orton, Helen Pynor & Roy Vickery | talk | GV Art | Sep 2013 | link |
Playing with Perception (chair), with Kerry Brewer and Colin Blakemore | talk | Unity Gallery | Sep 2013 | |
Art with/in Nature | essay | Wilderness Festival | Aug 2013 | |
⇒ Nature Reserves: tracing thoughts and the future of the archive | essay | GV Art | Jul 2013 | link |
Nature Reserves | exhibition | GV Art | Jul - Sep 2013 | link |
Cooking up the Left-Overs | event | 3Space Re:Think Festival | May 2013 | link |
Towards a Theory of Representation for Animals | feature | Journal of Wild Culture | Apr 2013 | link |
Is finding art useful a problem? | feature | Journal of Wild Culture | Mar 2013 | link |
Henrijs Preiss, Artefacts | essay | Latvian National Museum of Art | Feb 2013 | |
2012 | ||||
Coral – Rekindling Venus, Royal Observatory, Greenwich | review | Spoonfed | Jun 2012 | link |
Invisible, Hayward Gallery | review | Spoonfed | Jun 2012 | link |
Writing Britain, British Library | review | Spoonfed | May 2012 | link |
⇒ Et Cetera: a reappraisal of the mundane | essay | Hoxton Art Gallery | Apr 2012 | link |
Et Cetera | exhibition | Hoxton Art Gallery | Apr - May 2012 | link |
Mark Storor – A Tender Subject | feature | Spoonfed | Mar 2012 | link |
Marcus Coates – Vision Quest at Elephant and Castle shopping centre | feature | Spoonfed | Mar 2012 | link |
Stuart Semple, How to be a saint in this city | essay | Cat Street Gallery | Feb 2012 | |
Utopia - a future perfect? | essay | (H)Art | Feb 2012 | link |
“Museum Quality”: Public, Private, Auctions, Art | essay | Spoonfed | Feb 2012 | link |
London Art Fair | review | Spoonfed | Jan 2012 | link |
2011 | ||||
South Place Hotel Art Prize | jury | South Place Hotel | Dec 2011 | |
⇒ Critic turned curator: an interview with Brian Sewell | interview | Spoonfed | Oct 2011 | link |
Art, Not Oil | essay | (H)Art | Oct 2011 | link |
Archiving Thoughts: Museums, the Internet and the Nature of Knowledge | essay | Spoonfed | Sep 2011 | link |
Tax, Oil, Capitalism, Censorship: Corporate Sponsorship and the Arts | essay | Spoonfed | Aug 2011 | link |
The Trouble with Legacy | essay | (H)Art | Jul 2011 | link |
Tessa Farmer, Danielle Arnaud | review | Spoonfed | May 2011 | link |
Food as art, art as food – the rise of conceptual cookery | essay | (H)Art | Apr 2011 | link |
Sarah Harvey, Quiet World | essay | Collectors Contemporary | Mar 2011 | |
Integrated Campaigns, Cultural PR Conference | talk | Museum of London | Jan 2011 | |
2010 | ||||
Hackney Wood | jury | Residence Gallery | Sep 2010 | |
Hookers, Dealers, Tailors – an interview with Sebastian Horsley | interview | Spoonfed | May 2010 | link |
A Dark Current | essay | (H)Art | Mar 2010 | link |
Foundline, Father, Figurehead – an interview with Grayson Perry | feature | Spoonfed | Mar 2010 | link |
2009 | ||||
Sparks | interview | Notion magazine | Dec 2009 | |
A re-emergence of painting | essay | (H)Art | Nov 2009 | link |
An Ethnography of Gardening | review | Spoonfed | Nov 2009 | link |
⇒ “They never had us in mind”: Art and the 2012 Olympics | essay | (H)Art | Apr 2009 | link |
2008 | ||||
⇒ Violence to Endurance: Extreme Curating at the ICA | feature | Spoonfed | Sep 2008 | link |
Life Before Death, Wellcome Collection | review | Spoonfed | Apr 2008 | link |